June 2006

踢倒街Street Fashion New Actions!!

【踢倒街Street Fashion】又有新活動了!這個月即將在推出新的創作設計比賽!《NALAKUVARA潮流字體圖像創作不設限》--NALAKUVARA為梵文,即為中國人稱的哪吒,或是台灣人稱的三太子。起駕、上身;NALAKUVARA MIX STREET FASHION!讓創意天馬行空,讓創作無限可能!將你的創意讓主題NALAKUVARA結合Street文化,碰撞出最具時尚街頭的東方意象風,完全重生,線條、塊面、點 等混搭,激盪出東方街頭代表字樣與圖像!我們徵求上傳你最特別最得意的潮流字體與圖像創作作品圖檔,你可以使用不同的手法在電腦上表現!就如我們E-dm上面的字體與圖像一樣,只要你覺得你的設計比它更具Street Style,或是更有特色,別吝嗇你的設計,大膽的投稿吧!詳細參賽規則,請參照我們的網站:踢倒街Street Fashion活動頁面:NALAKUVARA潮流字體圖像創作設計大賽

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Task Two<br />Part

Task TwoPart C- Design Criticism Re-writeAustralian Designers Melt As They Fly Too Close to the Sun Design Criticism on Sass & Bide’s New ‘Shining Independent’ Collection Autumn/ Winter 2006We all know the poetic fairytale of Australia’s golden duo of fashion, Heidi Middelton and Sarah Jane Clarke AKA Sass & Bide. However, it seems at the moment however, that this fairytale isn’t going to end happily ever after. The comparatively slow Australian buyer has only just realised after a solid 5 years that the dream based on badly cut and poorly constructed garments is quickly fading. The label’s estimated worth sits at around $24 million, a large majority of that coming from their denim staples. A fact which the designers seem to be either ignorant of or intentionally oblivious. Even though most of their effort these days goes to the high fashion end of their business, many suggest that without the denim range, their fashion empire would have crumbled a long time ago. DesCrit got the rare opportunity to conduct an interview with an original pair of their infamous ‘East Village’ jeans to expose what she really thinks of the new Sass and Bide change in direction which will see prices skyrocket, original and still popular styles of her sister jeans being w...

Task One <br

Task One Part C- 2 Design Criticism Blog AnalysisBlog One- from the ‘Doors of Perception’ web log, ‘Comments on design and innovation by John Thackara’http://www.doorsofperception.com/archives/institutions/Objectionable objects: the failure of WorkspheresPosted by John ThackaraBlog Two- from the ‘Design and Emotion’ web log, ‘all about the emotional side of products, brands and design’http://www.design-emotion.com/2006/05/19/brands-products-and-emotions/‘Brands, products and emotions’Posted by Marco Picture this, Blog One is a subjective personal account and opinion of the value and authority of museums in the promotion and establishment of design credibility. There are no references, the tone is quite casual and the speaker communicates to the audience in the first person. Blog Two on the other hand is extensively referenced, written quite objectively in a formal manner with visual support and more developed formatting. It talks of...

Task One<br />Part

Task OnePart A- Taste Profile ReflectionThe tase profile guesses that people made in accordance to my previous answers were really surprising. I found it very interesting that one of the two people that commented was a good friend and seemed to get more answers wrong than the person that I had only recently met. This could show how when you get to know people, your view on them changes and you get caught up in their actions rather than their choice and preference in material things. I dont really think that a great deal of information about your prejudices can be collected on what you do and dont prefer. I think what judging people preferences does is create stereotypes and puts them into labelled boxes that limit your perceptions. Id say a lot more can be gained from knowing yourself and the reasons why you prefer something over another, rather than trying to judge other people according to what they like. We live in a world of contradictions, and contradictions dont follow traditional 'taste' rules.

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Task One <br

Task One Part B- Biennale Art ReviewAntony Gormley’s ‘Asian Fields’ 2003Stage One- InterpretiveAs you walk up the stairs onto the second level of Pier 2/3 at Walsh Bay, there is a compelling magnetism that pulls you towards a relatively small cut out in the wall that emits a glowing, fiery haze. At first it may be difficult to see exactly what it beyond the separating wall, but as you walk closer you start to realise the massive expansion of sheer space, scale and detail that lies before you. ‘Asian Fields’ is an instillation that comprises of around 180,000 clay figures which look like little primitive statues with two round indented holes for eyes. They are accompanied by 600 portrait style photographs of the 300 people that created them. The artwork immediately captures the viewer’s attention. It is among other things demanding, confronting, overwhelming and provoking. According to the artist Antony Gormley, ‘The idea is to wake you up and make you take account of the fact that you are the maker of the world… This field of gazes looking up at you, makes you its subject… the figures of the evoke the spirit of our ancestors and the spirit of the unborn’. The sheer scale of the instillation makes you feel simultaneously huge in comparison to the physica...

Task Two<br />Part

Task TwoPart A- Design CriticismHave golden duo Sass & Bide flown too close to the sun?Design Criticism on Sass & Bide’s New ‘Shining Independent’ Collection Autumn/ Winter 2006Once upon a time there were two little aussie girls living in London. Accountant and graphic designers by weekday, on the weekends they would sell customised jeans to creative bohemian types at Portobello Markets. Then, one day, a fairy godmother with lots of shiny capital decided that it was time for the two girls to come back to Australia and enter the fashion ball. Their golden slipper was a pair of now infamous ‘East Village’ hipster jeans that women would wait in queues outside stores for.This is the story of Heidi Middleton and Sarah Jane Clarke. Two best friends from Queensland that started off humbly with a pair of jeans, have since built a fashion empire that produces a denim collection and four ranges annually. Their privately owned label is valued at an estimated $24 million. Fashion is often said to represent the relationship and conflict between society and the individual, external and internal, oppression and expression, conformity and creativity. Across every culture, the way that we adorn our bodies through clothing and accessories defines who we are, and / or who w...

Task One <br

Task One Part A- Taste Profile1. Favourite Television Show in the last 2 years. How many hours television do you watch a week?My favourite show in the past two years would have to be Sex and the City without a doubt. I'd say all up I watch about five hours of television a day, the guiltiest and most embarrassing pleasure probably being Big Brother at the moment. 2. What sort of camera do you have? What do you take pictures of: events, friends and relatives, things I find interesting, beautiful things?I have your basic snap and run Canon Digital Ixus. I think its about 4.something megapixels which I know sounds like nothing in comparison to what is available now but does its purpose for my liking. I love taking photos of my family and friends and anything else I find remotely interesting or beautiful. The only problem is i usually forget to carry it around with me!3. List your most favourite and least favourite type of music?I come from a very musically eclect environment. The people around me have incredibly diverse musical tastes so I love nearly every kind of music according to mood (and usually moderation). I like house music when Im out. I cant believe Im about to admit this but I love music from the 80s. I know it was a bad era for design- particularly fashion but th...

Q+A: Deyan Sudjic

The Design Museum London's new director, DEYAN SUDJIC, is giving up a lot for this post. In exchange, he’ll be climbing onto a public stage already hot with the spotlight of scrutiny.

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Lone Star

Until recently she was half of a celebrated partnership. Now, a year after opening her own studio, Tomoko Azumi talks about life and design without Shin.

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Task Two<br />Part

Task TwoPart D- ReflectionThis exercise and the previous have brought to light the lack of design criticism and accountability, especially in the field of fashion. Away from my normal style of formal, academic writing, I tried to be a bit more creative with my criticisms to engage and entertain the reader, after all, it is being published on a web log, not in a scholarly journal. Because of this I was outside my comfort zone but glad that I could experiment and get a bit creative. I actually prefer the first copy of my criticism to the second and would mark it a C. On a final note, it was interesting to see that there wasn’t much research available for fashion design in regards to academic design criticism which definitely limits the reference and authoritative credibility of the argument, this would be the criticisms biggest flaw.

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<a href="http://img.photobucket.com/albums/v67/myeinstellung/guys-thumb.jpg"><img style="FLOAT:

Hello to all my balcony buddies and dumpster friends.So I'm in rural south easeten Washington, in the mountains of klickitat, at the windward institute. A sustainable community in progress if ever there was one. Some of our projects for the summer include aquaponics, solar ovens, biofuel, and watching the peacocks get rejected time and again.Feel free to check www.windward.org for stories and info.I'm also working on designs for some of the many, many shipping containers we have in our possession. So any design ideas or input would be really appreciated cough:::aaron:::cough.

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【設計師作品】妖系列 日系英雄 / 美系英雄 design by chris

(圖一)(圖二)(圖三)DEVIL,妖,把現在時下流行的英雄主義拿來嘲諷〈呵呵~奸笑〉。打從娘胎出來,就很崇拜卡通漫畫裡的英雄人物,希望有朝一日可以成為他們,那麼的威風,那麼的與眾不同,不過,現在已經過了20幾年,我依然還是我,沒辦法像他們一樣飛天遁地,力大無窮,好吧~我覺悟了,只好由愛生恨,來創作了這個題材〈噗噗~得不到就要醜化他~哈哈哈"-_-〉。 我自己是這樣解釋這個系列的作品,超人們與生俱來就有著神力,他們來到這世上唯一的目地就是打擊犯罪幹掉妖怪,拯救世人們,但一旦壞蛋、妖怪們都被打擊完了呢?是不是就會過著幸福快樂的日子,不不不~人們會把注意力集中在這些救世主身上,因為他們個個身懷絕技,與眾不同,說穿了他們其實也是妖怪的一種,不一樣的是他們是好的妖怪‧‧‧ 這世上超人最多的地方,我...

【設計師作品】水滸系列一 武松打虎 design by peggy

在發想主題時,如何讓設計創作的Graffiti具有東方的特色,但又不會太傳統,可以融入一點現代的生活元素,讓新舊相互融合,且要帶點幽默感。當時,就覺得古代小說的武俠章節可以拿來做發揮,耳熟能詳的(其實是我自己只知道的…)就屬水滸傳,而裡面最著名的就是「武松打虎」!過程中當然也想了另外一些主題,像是京劇名劇-貴妃醉酒,或是同屬水滸傳的-林沖夜奔等。但就屬「武松打虎」最為人所熟知,再者,想到這個題目時,馬上就想到「打」這個字可以套用對打任天堂的模式,而任天堂又是現代的一種生活解壓方式,是一種生活的經驗。就我對street的解讀除了hip-hop、饒舌、極限或塗鴉等這些既定的街頭文化外,一個人的生活經驗、習慣,甚至是記憶都是屬於這範疇的一部分。所以,想好主題跟結合的元素後,最後就是表現風格,這部分我比較沒那麼講究,單純的是採用我熟悉且喜愛的45度角來表現出立體感,也許...

【頒獎實況】低調且華麗的頒獎典禮

Tom與三位得獎者分享Street Fashion的看法。2006年6月5日踢倒街所辦的「瞎啪台T」頒發典禮,第一、二和三名齊聚一堂,來到了台北幽靜的MURA小辦公室,大家一起分享各自對於street街頭的想法,互相交流,創意總監Tom也跟三位得獎者分享他對於街頭的看法,伴隨著黃燈光,紅葡萄酒,這是一場華麗但低調的授獎與思想混搭的儀式!第二名「阿嬤的花布」作者林欣毅,正在聊他覺得Street應該是一種傳播。右邊是MURA的另一位設計師Enzo。(從右至左)第三名「四神像」作者黃傑,以及第一名「佛手」作者吳智瑋,Tom。Tom向智瑋聊到如果要他在街頭這個範疇下創作,他會選擇哪三個主題,看的出來智瑋很慌張...(笑),他心裡的os,『噢~有說要考口試嗎?怎麼沒聽說?』ps.:tom,發想時間太短拉。設計師Gin的天外一...

The Culture of Fugly

Paul Rand famously wrote:
The public is more familiar with bad design than good design. It is, in effect, conditioned to prefer bad design, because that is what it lives with. The new becomes threatening, the old reassuring.

In the context of web and high-technology product design, this observation from Mr. Rand takes on special import. For those that doubt this, please consider the evidence:

eBay. Garish colors, poor composition and a mixture of poorly rendered aliased type in an apparent attempt to make eBay feel homey, like a garage sale. One has to wonder though why you would copy K-Mart when it’s pretty clear people respond to the design mantra of Target.

Yahoo! One would think that Yahoo! would have learned by now that less is more. That is, less stuff vying for your attention, less line noise, fewer gradients. The new home page approach slated to be released soon is barely better.

Google. The poor typographic implementation o...

Welcome to the new school, same as the old school.

I’ve gotten a few emails over the last year asking me why Design by Fire fell by the wayside. The answer to that question is fairly simple, even though I’d rather not admit it.
First, I got fed up wrestling with layouts and designs that looked or behaved differently across the various browsers. To put it bluntly, I have better things to do with my time than sit around and wonder why the fuck the Microsoft engineers left out “position: fixed;” while supporting “position: absolute;” Or wonder why the Firefox team decided to implement what easily constitutes the ugliest set of form controls to ever grace any graphical user interface in the history of computing, requiring a detail lover like myself to waste countless hours trying to make them look respectable.
Second, I grew weary of the blog format and blog content. I’ve always wanted to be more of an essayist, like a George Will on the back page of Newsweek or something, but my old approach to Design by Fire pigeonholed me into a blog mentality. Instead of writing about topics at length that I feel passionate about, I felt compelled to commen...

A Show of Heart

Would you believe the 2006 Design That Touches the Heart Show is now online? Believe. We're pleased with this first ever offering of design (and even some art). We hope that it will encourage and inspire you to send in your own work that touches the heart. If we receive enough additional entries, we'll add them to the 2006 show.Thanks to all who participated. Enjoy.>> 2006 Design That Touches the Heart Show

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What is design?

Do you ever have difficulty explaining to others, let alone your mother, what exactly it is that you do for a living, or what design actually is?It seems that when I try to explain design, I get hung up somewhere between explaining the process, and giving a laundry list of outcomes (e.g., brochure, logo, web site, etc.).The conversation usually goes like this:"What is it that you do?""I'm a designer.""So what is it that you do?""I design logos and brochures and...""So what exactly do you do?""I create ads and other printed communications.""Oh, so you use computers.""Yeah... something like that."It's always frustrating that as communication professionals, we have a difficult time explaining exactly what we do. Perhaps it's not so much that we can't explain it, but we need to define it.This definition of design seems to have struck a chord with designers, software engineers, and others from around the world:"Design consists of creating things for clients who may not know what they want, until they see what you've done, then they know exactly what they want, but it's not what you did."I know it sounds cynical on the surface, but I think it's accurate in many ways. Of course...

Leaders Recognize It

Are leaders born, or can you make the decision to become one? Whether your view is from the bottom up, the middle or the top – It's clear that your decisions make the difference.Last week my design staff attended a simulcast: 360° - The Measure of a Leader, sponsored the Maximum Impact organization. Why? A good designer needs to be an effective leader anywhere within an organization. Here are a few highlighted points that we learned:

  • You have a leadership role and responsibilities, no matter where you are in an organization. You may not recognize it.
  • Don't confuse leadership with a strong personality
  • Wide leaders make wise decisions and then manage them (A key tenet of John Maxwell, founder of Maximum Impact.)
  • A dealer needs to know how to deal with ambiguity
  • A leader must be a creative thinker – anticipating needs and thinking beyond perceptions
  • A leader is a steward of equipment and resources
  • Behavior and performance is more important that words
  • A great leader is aware of the big picture and the details (the forest and the trees)
  • The most relevant: Learning to lead yourself is the place to start.

How Much SOA Governance. When?

One of the interesting problems is not just whether to have governance, or more specifically, SOA governance, but how much of it's elements should be implemented over a period of the adoption of more advanced governance practices.Clearly organizations are at different levels of maturity with regard to their need for, adoption of and implementation of SOA governance. Therefore, it becomes increasingly important to fit the degree of governance injected into the organition with the culture, priorities, implications of introducing control points and feedback; who takes care of the feedback and how it gets managed and fed back as actionable items into the system.Using the Service Integration Maturity Model, we diagnose where an organization is with regard to six dimensions of maturity; one of which is the "organizational dimension" and includes governance. The target, desired state of maturity is analyzed and a roadmap to implement SOA governance for that targetstate of maturity is depicted. Think of a realse plan for software: it is more realistic to plan a set of releases than an all out implementation of all key features that the project is seeking to implement. It seems obvious in that context. So it is with SOA Governance.

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